Rating
Get your copy: £3.08 (E book all versions & print and Casting Shadows)
These two books are part of a series
about Kiran the only vision painter in Ireland, a concept, I found so
fascinating I looked it up on Google, before realising these books are written
within the magic realism and crime genres. I would say that the lesbian aspects
are incidental, by that I mean unlike much lesbian fiction where the whole book
centres around two woman meeting, falling in love and graphic descriptions of
them having lots of sex. In these books two lesbians meet, fall in love and
build a life together in the midst of the main plotlines of vision painting and
murder. I don't want to say too much more about the story lines so as to not
give anything away and spoil your enjoyment of these books.
R. J. Samuel is a captivating writer,
her stories are intriguing and I couldn't put the books down in my urgency to
see what happened next. She creates wonderful worlds that are easy to picture
and imagine because of the way she brings them to life. She captures life in
Ireland extremely well and I imagine does the same with India although I've
never been there. Her characters are well developed and believable, I really
felt like I was with them as they faced their life challenges. For example, she
writes well about a proud Indian man's struggle around having a lesbian
daughter and his internal and external expression of that struggle.
Once I started reading each book I
couldn't put them down but they are also quite different from each other. The
first one is faster paced, there is a race against time and a criminal force
which makes the book exciting as you wait to find out what happens. The second
book is gentler and slower paced but equally gripping as you share Kiran's
journey to understand the traditions behind vision painting and its influence on the people she loves today.
In summary I would definitely recommend
these books, they are well written, engaging and absorbing. I look forward to
reading what she writes next.
The interview
We caught up with author RJ Samuel who gave some insight behind the series. "Like many people, I had encountered The Secret, and other books like it, and I sat down one night and wrote out what I thought I wanted in my life and I ended up focusing on and going for what I wrote.
"I got everything on the piece of paper, but things went spectacularly wrong. I used to joke that The Secret ruined my life, but I also knew that was only true because I had focused on what I thought should be in my life, on what other people wanted for my life, or for their lives. I had forgotten to mention what would make me happy, to even consider my own dreams, because at the time I did not figure out what those dreams were.
"As I got my life back together, I joined a writing class, wrote short stories and did writing exercises, and then published Heart Stopper (a medical thriller). I began to freak out slightly over the appearance in my life of things that I wrote about and when I had to do an exercise in writing magical realism, I had a few ideas floating around in my head - of wishing for things, writing about things that then happened, and being careful to focus on happiness.
"I didn’t want to write about a writer so as one of my hobbies is painting, I sat down to write a short story about a vision painter, amalgamating those ideas into the concept of a painter who could paint people’s visions for their lives and how things could go wrong if people did not ask for the things that might make them happy. The story flowed out in one go, it felt right, and it was very well received. When I decided to turn it into a novel, I kept the concept and the beginning and some of the end of the short story, but then I started asking ‘What if’ questions and from there I worked out the story that became ‘Falling Colours’."
Samuel discusses process "My writing process has panned out differently for each of the four novels so far. I started Heart Stopper with enthusiasm and was more than halfway through when I got stuck, bogged down in detail. I was lucky enough to find a book on structured writing (Story Engineering – Larry Brooks) that appealed to my logical side and I developed a way of working on a novel that suits my rational as well as my creative sides after I found that it worked very well for me on Heart Stopper.
"I used the same process for Falling Colours and Casting Shadows, but the two books progressed at very different paces and with different levels of energy. My first three novels were each written within 6 months, but the fourth is taking a lot longer.
"My process involves - taking an idea through stages of ‘what-if’ questions until it becomes a premise, working out the structure of the story and developing the characters, researching any areas in which I don’t have experience, writing out the planned scenes (adjusting for necessary changes based on my character/plot development), editing (I do a lot of editing as I write – I wish I didn’t, but my left brain won’t stop interfering), getting feedback from beta readers, and incorporating useful feedback.
"The rational process has been the same for all the books, but the emotional process has been vastly different. For example, Falling Colours flowed out easily, and even though it dealt with some darker issues, I had fun writing it. In contrast, Casting Shadows was more emotionally draining and while it still has humour, (I try to express the lighter side as much as possible), it delved further into dark issues, some of which I could not find a way to lighten.
"I’m finding it difficult to finish the fourth novel. It has been, again, structurally fine, but emotionally harrowing. I know I have to conquer the emotional side of writing to be able to continue writing professionally and the challenge for me is to do this while remaining true to what I want to express in my stories. I read a lot about writing, in books and online articles, written by professional writers who have successfully managed this, and I hope to learn how to overcome this latest challenge."
The interview
We caught up with author RJ Samuel who gave some insight behind the series. "Like many people, I had encountered The Secret, and other books like it, and I sat down one night and wrote out what I thought I wanted in my life and I ended up focusing on and going for what I wrote.
"I got everything on the piece of paper, but things went spectacularly wrong. I used to joke that The Secret ruined my life, but I also knew that was only true because I had focused on what I thought should be in my life, on what other people wanted for my life, or for their lives. I had forgotten to mention what would make me happy, to even consider my own dreams, because at the time I did not figure out what those dreams were.
"As I got my life back together, I joined a writing class, wrote short stories and did writing exercises, and then published Heart Stopper (a medical thriller). I began to freak out slightly over the appearance in my life of things that I wrote about and when I had to do an exercise in writing magical realism, I had a few ideas floating around in my head - of wishing for things, writing about things that then happened, and being careful to focus on happiness.
"I didn’t want to write about a writer so as one of my hobbies is painting, I sat down to write a short story about a vision painter, amalgamating those ideas into the concept of a painter who could paint people’s visions for their lives and how things could go wrong if people did not ask for the things that might make them happy. The story flowed out in one go, it felt right, and it was very well received. When I decided to turn it into a novel, I kept the concept and the beginning and some of the end of the short story, but then I started asking ‘What if’ questions and from there I worked out the story that became ‘Falling Colours’."
Samuel discusses process "My writing process has panned out differently for each of the four novels so far. I started Heart Stopper with enthusiasm and was more than halfway through when I got stuck, bogged down in detail. I was lucky enough to find a book on structured writing (Story Engineering – Larry Brooks) that appealed to my logical side and I developed a way of working on a novel that suits my rational as well as my creative sides after I found that it worked very well for me on Heart Stopper.
"I used the same process for Falling Colours and Casting Shadows, but the two books progressed at very different paces and with different levels of energy. My first three novels were each written within 6 months, but the fourth is taking a lot longer.
"My process involves - taking an idea through stages of ‘what-if’ questions until it becomes a premise, working out the structure of the story and developing the characters, researching any areas in which I don’t have experience, writing out the planned scenes (adjusting for necessary changes based on my character/plot development), editing (I do a lot of editing as I write – I wish I didn’t, but my left brain won’t stop interfering), getting feedback from beta readers, and incorporating useful feedback.
"The rational process has been the same for all the books, but the emotional process has been vastly different. For example, Falling Colours flowed out easily, and even though it dealt with some darker issues, I had fun writing it. In contrast, Casting Shadows was more emotionally draining and while it still has humour, (I try to express the lighter side as much as possible), it delved further into dark issues, some of which I could not find a way to lighten.
"I’m finding it difficult to finish the fourth novel. It has been, again, structurally fine, but emotionally harrowing. I know I have to conquer the emotional side of writing to be able to continue writing professionally and the challenge for me is to do this while remaining true to what I want to express in my stories. I read a lot about writing, in books and online articles, written by professional writers who have successfully managed this, and I hope to learn how to overcome this latest challenge."
By Claire








